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Tocky Vibes criticises Zim army in Zvitori Nani

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Zimbabwean musician Tocky Vibes released on Sunday a song criticising Zimbabwe’s police and army for unleashing terror on civilians following last week’s stay away in Harare, Chitungwiza and Bulawayo.

The song, titled ‘Zvitori Nani (Zimbabwe Army Diss)’ also criticises President and commander in chief Emmerson Mnangagwa. Sung in Shona, the song had garnered more than 40 000 views on YouTube by Monday.

“That song is intended for poor people, the disadvantaged and those who seek alms on the streets,” Tocky Vibes told Music In Africa. “Children, the disabled and the blind living on the streets could not escape the violence, especially when teargas was used to disperse civilians during the protests.

These people were affected since they had no place to hide. These are the people I was referring to in the song.”

The translated song opens with the following lyrics:

I don’t have time to praise soldiers any more

They beat us every day and kill their own while saying we’ve been sent by our boss

Now I’m dissing soldiers

You should refuse to be deployed
I’ve come with fire to burn the soldiers.

Such lyrics could land Tocky Vibes in trouble with Zimbabwe’s authorities. When asked whether he was afraid of the possible consequences, he said: “Our song is not political.

The army is for the people and it’s not for any political party. So our message in the song is that even if political parties don’t agree among themselves, the army must be there to protect civilians.

“People should not be armed because we have a national army whose mandate is to protect us from harm. So once more, my song is not political and whoever wants to link my song along political lines, it’s up to them.”

Tocky Vibes refused to name the producer of the song. “I’d rather face the music alone should any trouble come my way,” he said.

Germany-based music journalist and critic Plot Mhako said: “I think the song reflects the reality on the ground and boldly echoes the cries of most citizens who do not have a voice. It’s a great song and pokes at the security apparatus’ conscience.”

Late last year, Zimdancehall singer Winky D stirred controversy with the release of ‘Kasong Kejecha’, which blames Mnangagwa’s ZANU-PF government for the current economic crisis.

The song sides with MDC Alliance leader Nelson Chamisa who is synonymous with the words “tozvidira jecha”. The term translates to “pouring sand”, for example in a person’s meal as a form of sabotage.

After the song’s release, Winky D was pelted with empty cans and beer bottles while performing in Kwekwe in central Zimbabwe on Christmas Eve.

The artist has since cancelled his remaining shows and gone into hiding after a group of ZANU-PF activists reportedly visited his home during last week’s stay away.

Mhako said Tocky Vibes could face similar treatment as his colleague. “Regarding his safety, I think it’s tricky and there cannot be a guarantee, considering that Winky D is reportedly in hiding.

I think Tocky was well aware of the possible backlash but he followed his inner conviction and the voice of reason,” he said

What sparked the latest violence in Zimbabwe?

Two weeks ago, Mnangagwa announced a sharp increase in fuel prices, which saw petrol rise to $3.31 from $1.24/litre, making it among the most expensive in the world.

This, in turn, spurred increases in basic products and services such as bread, sugar and bus fares. The increase was condemned by opposition parties and civil society groups across Zimbabwe. It also prompted the Zimbabwe Congress of Trade Unions to call for a national strike.

The initially planned peaceful stay away turned into looting and the destruction of property in some areas where clashes with the police and army took place.

On Tuesday, the government instructed telecoms providers to shut down the Internet, which until Monday was still reportedly off. Twelve people have been killed since the violence began, according to media reports.
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ENTERTAINMENT

Caine Prize reviews Zimbabwean winner Kundizeza’s story after AI claims

The Caine Prize says it has started a review after The Atlantic suggested the winning story, “The Blue Fighter”, may have used AI. No finding has been made.

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The Caine Prize for African Writing has begun looking into claims that the story that won this year’s award may have been written with the help of artificial intelligence, days after the Zimbabwean winner was named.

Simbarashe Steyn Kundizeza was announced as the 2026 winner in London on Tuesday 6 October for his story “The Blue Fighter”. On 11 October, according to the prize’s own statement, journalist Vauhini Vara published an article in The Atlantic suggesting the story may have used AI.

In its statement, the Caine Prize said that when claims such as this are made, “it is our responsibility to look into them”. It said it aims to take a “human-centred approach”, ensuring writers are supported and cared for during the process, and that it has “initiated that process in this case”. It promised to share updates on its website as matters unfold.

The prize also pointed to the way it works: it honours stories that have already been published elsewhere, which it described as a “bond of trust” with the magazines and journals that publish the original work. The Bookseller and NewZimbabwe both reported the statement.

It is important to be clear about where things stand. The Atlantic piece raises a suggestion; the Caine Prize has not announced any finding, and nothing in the coverage reviewed by AllInZimbabwe shows that Kundizeza has been found to have done anything wrong. None of that coverage carried a response from him to the allegation. After winning, he told NewZimbabwe the award meant a great deal and gave him more belief that he could keep making room for a writing life.

AllInZimbabwe will report the outcome of the review when the Caine Prize publishes it.

Sources: Caine Prize statement; NewZimbabwe; The Bookseller.

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ENTERTAINMENT

Zimbabwe’s Blessing Musariri is the only African finalist for the $50,000 Kirkus Prize

Her young-adult novel When It’s Your Turn for Midnight, set in Mutare, is one of 18 books shortlisted for the American literary award, with winners announced on 7 October.

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Zimbabwean author Blessing Musariri has been named a finalist for the 2026 Kirkus Prize, one of the richest literary awards in the United States, for her young-adult novel When It’s Your Turn for Midnight.

Kirkus Reviews announced 18 finalists across three categories: fiction, nonfiction and young readers’ literature. Musariri’s book is one of two shortlisted in the young-adult strand of the young readers’ category, alongside Anger Is Only a Shadow by Elizabeth Acevedo, a two-time previous finalist. Brittle Paper, which tracks African writing, noted that Musariri is the only African author on this year’s list.

Each category winner receives $50,000. To be eligible, a book must first have earned a starred review from Kirkus, whose verdicts carry weight with publishers and booksellers. Kirkus’s own review described the novel as a story grounded in emotional truths and praised its handling of the silences between generations.

The novel follows 15-year-old Chianti, whose life is upended when her mother reveals in anger that the man she calls Baba is not her biological father. She retreats to her grandmother’s home in Mutare, where she is drawn into the world of four elderly women who fought together in the liberation war and now run a second-hand clothing business that Chianti helps take onto TikTok. Old photographs and a notebook gradually surface a wartime past the women would rather not discuss.

The book was published in the United Kingdom by Bloomsbury’s Zephyr imprint in 2024 and in the United States by Lerner Publishing’s Carolrhoda Lab imprint in April this year, according to Brittle Paper.

The other young readers’ finalists are picture books Navigating Night and Electric Birds of Pothakudi, and middle-grade titles The Lovely Dark by Matthew Fox and This Is a Door by Daniel Nayeri. The fiction shortlist includes Colson Whitehead and Douglas Stuart.

Winners will be announced on 7 October at a ceremony in New York, which Kirkus says will be streamed live on its YouTube channel.

Sources: Kirkus Reviews; Brittle Paper; NewZimbabwe.

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DIASPORA

US court orders Lion King composer to pay Zimbabwean comedian Learnmore Jonasi’s legal costs

A California federal court has ordered composer Lebohang “Lebo M” Morake to pay US$39,560 towards the legal fees of Zimbabwean comedian Learnmore Jonasi, after Morake withdrew a defamation claim over a joke about a Lion King chant.

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A United States federal court has ordered South African composer Lebohang “Lebo M” Morake to pay US$39,560 towards the legal costs of Zimbabwean comedian Learnmore Jonasi, closing the latest chapter in a dispute that began with a joke about The Lion King.

The order was made on 29 August under California’s anti-SLAPP statute, a law designed to protect people from lawsuits brought to silence public comment. NewZimbabwe.com reported that the court found Jonasi, born Learnmore Mwanyenyeka, qualified as the prevailing party after Morake stepped back from his original claims. TimesLive reported that the court dismissed the lawsuit on 10 July and that the principal matter was withdrawn without prejudice.

The row started with a podcast appearance in which Jonasi offered a comic translation of “Nants’ ingonyama bagithi Baba”, the opening chant of “Circle of Life”. Rather than the traditional Zulu praise reading, he rendered it roughly as “look, there’s a lion”. Morake, who worked on the music associated with the Disney film, sued in the US District Court for the Central District of California, alleging defamation and arguing the comedian had trivialised a composition of cultural significance. TimesLive put the value of that claim at US$27 million.

According to NewZimbabwe.com, the court set Jonasi’s reasonable attorneys’ fees at US$39,560 but refused his request for an upward multiplier that would have increased the award. The same report said Jonasi paid roughly US$5,350 out of his own pocket, with his lawyers heavily discounting their fees while arguing his First Amendment free-speech rights. The court was explicit that it was not ruling on which translation of the Zulu phrase is correct, only on who had prevailed for the purposes of the anti-SLAPP law.

Morake has not accepted the outcome as final. In a statement issued through his legal team and shared with TshisaLIVE, he said the case had “never been about winning a war of personalities” but about “the protection of heritage, legacy, cultural dignity”. His lawyers said they were studying the ruling and evaluating the options open to them.

For Jonasi, who built his following on the international comedy circuit, the ruling removes a financial threat that had hung over him for much of the year.

Sources: NewZimbabwe.com; TimesLive (TshisaLIVE); The Citizen.

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