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Kid Lyrik a.k.a. Kudzai Mawunganidze speaks out

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Kudzai Mawunganidze Kid Lyrik

Kid Lyrik – real name Kudzai Mawunganidze – has revealed how drug dealing got him deported from the United States.

Kid Lyrik (27) who was in the US since the age of eight staying in Texas was deported last year in October after being arrested by undercover police during a cocaine drug deal.

He was also caught in possession of four kilogrammes of marijuana.

Like most rappers in the US, who start off as drug dealers and then pursue their music professionally to becoming stars, Kid Lyrik had seen himself take the same path.

Kid Lyrik, who is now staying with his uncle in Marlborough in the capital, opened up about his gangster lifestyle that included, drug dealing, women, owning a gun and getting intoxicated basically on a daily basis.

“I left Zimbabwe when I was eight, at that time I was staying with my grandmother in Chitungwiza, both my parents’ were already in the US.
“I was staying in Texas-Dallas and over the years, I became good friends with many cowboys, some who later who became my marijuana suppliers.

“I considered drugs after I lost my dad in 2009, I was very close to him than I was to my mom and losing at a time when I was graduating from high school the next year kind of affected me.

“My dad had separated with my mom and he had moved back to Zimbabwe where he died.

“From there I started taking drugs then went to selling marijuana.

“I would take cocaine too but it wasn’t my trade,” he said.

He said he had two accomplices that helped him sell the marijuana, his two girlfriends he stayed with, one named Kara and other Sally Gee.
He added he slept like a king, as he would get sexually engaged to both of both at the same time (three-some).

“I met these two girls when they were already dating each other, they were bisexual and after the three of us clicked everything was good.

“They would do anything for me from selling marijuana to just anything.

“It was also good business having the two girls play front as it brought in many customers.

“I was making around a thousand dollars a week a selling one gramme for ten dollars.

“I wasn’t rich but it was good money, I was comfortable and lived the lifestyle I wanted.

“I was also making around US$150 a day from my Snapchat account,” he said.

As a drug dealer, Kid Lyrik said he also owned a gun and at some point had three guns that he used a couple of times.

Kid Lyrik said he was growing popular around Texas with his music, which he produced and wrote on his own.

He became popular, got the attention around Texas and was performing at small and big events in the city.

“My music was basically about drugs, sex and money but I always wanted my music to have a deeper meaning combining that, so I started to teach myself sociology and psychology.

“As a rapper, I knew it would take me global.”

However, his music-gangster lifestyle came to an end when he was arrested.

He spent nine months behind bars and from there he was deported back to Zimbabwe.

“I never saw myself coming to Zimbabwe I just thought after my release I am going back to my lifestyle.

“I wrote a lot of music whilst I was in prison and it’s all on my upcoming EP entitled “The irony of contradiction”

“I produced the EP with the help of my young brother Blawu.”

Kid Lyrik still strongly believes he can go global with his music and has recently released a song entitled “Coming to America” produced by Oskid.

“The song is about me going back to America, not physical since I was deported but going back to America in the sense of my music playing in America.

“I was already making ‘noise’ in Texas with great potential of blowing up in other states in America and that dream for me still lives on.
“I have great faith I will make it with my music.

“I also want to study sociology and psychology majoring in mass communication, hopefully, next year I start my studies,” he said.H-Metro

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ENTERTAINMENT

Caine Prize reviews Zimbabwean winner Kundizeza’s story after AI claims

The Caine Prize says it has started a review after The Atlantic suggested the winning story, “The Blue Fighter”, may have used AI. No finding has been made.

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The Caine Prize for African Writing has begun looking into claims that the story that won this year’s award may have been written with the help of artificial intelligence, days after the Zimbabwean winner was named.

Simbarashe Steyn Kundizeza was announced as the 2026 winner in London on Tuesday 6 October for his story “The Blue Fighter”. On 11 October, according to the prize’s own statement, journalist Vauhini Vara published an article in The Atlantic suggesting the story may have used AI.

In its statement, the Caine Prize said that when claims such as this are made, “it is our responsibility to look into them”. It said it aims to take a “human-centred approach”, ensuring writers are supported and cared for during the process, and that it has “initiated that process in this case”. It promised to share updates on its website as matters unfold.

The prize also pointed to the way it works: it honours stories that have already been published elsewhere, which it described as a “bond of trust” with the magazines and journals that publish the original work. The Bookseller and NewZimbabwe both reported the statement.

It is important to be clear about where things stand. The Atlantic piece raises a suggestion; the Caine Prize has not announced any finding, and nothing in the coverage reviewed by AllInZimbabwe shows that Kundizeza has been found to have done anything wrong. None of that coverage carried a response from him to the allegation. After winning, he told NewZimbabwe the award meant a great deal and gave him more belief that he could keep making room for a writing life.

AllInZimbabwe will report the outcome of the review when the Caine Prize publishes it.

Sources: Caine Prize statement; NewZimbabwe; The Bookseller.

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ENTERTAINMENT

Zimbabwe’s Blessing Musariri is the only African finalist for the $50,000 Kirkus Prize

Her young-adult novel When It’s Your Turn for Midnight, set in Mutare, is one of 18 books shortlisted for the American literary award, with winners announced on 7 October.

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Zimbabwean author Blessing Musariri has been named a finalist for the 2026 Kirkus Prize, one of the richest literary awards in the United States, for her young-adult novel When It’s Your Turn for Midnight.

Kirkus Reviews announced 18 finalists across three categories: fiction, nonfiction and young readers’ literature. Musariri’s book is one of two shortlisted in the young-adult strand of the young readers’ category, alongside Anger Is Only a Shadow by Elizabeth Acevedo, a two-time previous finalist. Brittle Paper, which tracks African writing, noted that Musariri is the only African author on this year’s list.

Each category winner receives $50,000. To be eligible, a book must first have earned a starred review from Kirkus, whose verdicts carry weight with publishers and booksellers. Kirkus’s own review described the novel as a story grounded in emotional truths and praised its handling of the silences between generations.

The novel follows 15-year-old Chianti, whose life is upended when her mother reveals in anger that the man she calls Baba is not her biological father. She retreats to her grandmother’s home in Mutare, where she is drawn into the world of four elderly women who fought together in the liberation war and now run a second-hand clothing business that Chianti helps take onto TikTok. Old photographs and a notebook gradually surface a wartime past the women would rather not discuss.

The book was published in the United Kingdom by Bloomsbury’s Zephyr imprint in 2024 and in the United States by Lerner Publishing’s Carolrhoda Lab imprint in April this year, according to Brittle Paper.

The other young readers’ finalists are picture books Navigating Night and Electric Birds of Pothakudi, and middle-grade titles The Lovely Dark by Matthew Fox and This Is a Door by Daniel Nayeri. The fiction shortlist includes Colson Whitehead and Douglas Stuart.

Winners will be announced on 7 October at a ceremony in New York, which Kirkus says will be streamed live on its YouTube channel.

Sources: Kirkus Reviews; Brittle Paper; NewZimbabwe.

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DIASPORA

US court orders Lion King composer to pay Zimbabwean comedian Learnmore Jonasi’s legal costs

A California federal court has ordered composer Lebohang “Lebo M” Morake to pay US$39,560 towards the legal fees of Zimbabwean comedian Learnmore Jonasi, after Morake withdrew a defamation claim over a joke about a Lion King chant.

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A United States federal court has ordered South African composer Lebohang “Lebo M” Morake to pay US$39,560 towards the legal costs of Zimbabwean comedian Learnmore Jonasi, closing the latest chapter in a dispute that began with a joke about The Lion King.

The order was made on 29 August under California’s anti-SLAPP statute, a law designed to protect people from lawsuits brought to silence public comment. NewZimbabwe.com reported that the court found Jonasi, born Learnmore Mwanyenyeka, qualified as the prevailing party after Morake stepped back from his original claims. TimesLive reported that the court dismissed the lawsuit on 10 July and that the principal matter was withdrawn without prejudice.

The row started with a podcast appearance in which Jonasi offered a comic translation of “Nants’ ingonyama bagithi Baba”, the opening chant of “Circle of Life”. Rather than the traditional Zulu praise reading, he rendered it roughly as “look, there’s a lion”. Morake, who worked on the music associated with the Disney film, sued in the US District Court for the Central District of California, alleging defamation and arguing the comedian had trivialised a composition of cultural significance. TimesLive put the value of that claim at US$27 million.

According to NewZimbabwe.com, the court set Jonasi’s reasonable attorneys’ fees at US$39,560 but refused his request for an upward multiplier that would have increased the award. The same report said Jonasi paid roughly US$5,350 out of his own pocket, with his lawyers heavily discounting their fees while arguing his First Amendment free-speech rights. The court was explicit that it was not ruling on which translation of the Zulu phrase is correct, only on who had prevailed for the purposes of the anti-SLAPP law.

Morake has not accepted the outcome as final. In a statement issued through his legal team and shared with TshisaLIVE, he said the case had “never been about winning a war of personalities” but about “the protection of heritage, legacy, cultural dignity”. His lawyers said they were studying the ruling and evaluating the options open to them.

For Jonasi, who built his following on the international comedy circuit, the ruling removes a financial threat that had hung over him for much of the year.

Sources: NewZimbabwe.com; TimesLive (TshisaLIVE); The Citizen.

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