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Killer T in debut China tour

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Killer T Zimbabwe

Killer T, the Mbare bred singer is set to perform in China for the first time this weekend.

The show dubbed “Taunganidza Vanhu” is being hosted by Afro-Asia Entertainment and Media Company who have been credited for helping to push Zimbabwean music into the Chinese community.

The “Dzika Maria” hit-maker will be performing in Hangzhou tomorrow. He will share the stage with Zimbabwean artists in China who include, DJ Fyn, DJ Painkilla, DJ Phil and Pro sounds.

In an interview, show organiser, Joseph Muwombi said all is set for Killer T’s maiden show in China. Muwombi said they are hosting Killer T because of high demand for his music from Zimbabweans in China.“All is going according to plan. We hope to bring every Killer T fan in China for this one big party, hence theme ‘Taunganidza Vanhu’. Fans have been demanding and begging for Killer T for a long time, so as a company we decided to make things happen for them,” he said.

He said Zimbabwean music is on demand in China.“Our local music has been making inroads here in Chinese Entertainment market because of the growing population of Zimbabweans living in China.

It is our hope that we will successfully succeed to make Zimbabwean music more popular as this helps our artists to diversify their market and try to go global with their art.

“The response to our music has been tremendously well, judging by how many Zimbabwean-born deejays who play in big clubs here are helping to push our content,” he said.

Asked how he can compare the Chinese arts industry to Zimbabwean and what needs to be done to up the game, Muwombi said there is the need for support from the Government through cultural exchange programs.

“We are almost there in terms of the arts sector in Zimbabwe. There is a lot of talent that needs to be tapped. With the help of cultural exchange programmes, the Chinese will understand our arts and culture more.

Our artists need to produce quality music that can be consumed internationally as music is a universal language,” he said.

The Herald

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ENTERTAINMENT

Caine Prize reviews Zimbabwean winner Kundizeza’s story after AI claims

The Caine Prize says it has started a review after The Atlantic suggested the winning story, “The Blue Fighter”, may have used AI. No finding has been made.

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The Caine Prize for African Writing has begun looking into claims that the story that won this year’s award may have been written with the help of artificial intelligence, days after the Zimbabwean winner was named.

Simbarashe Steyn Kundizeza was announced as the 2026 winner in London on Tuesday 6 October for his story “The Blue Fighter”. On 11 October, according to the prize’s own statement, journalist Vauhini Vara published an article in The Atlantic suggesting the story may have used AI.

In its statement, the Caine Prize said that when claims such as this are made, “it is our responsibility to look into them”. It said it aims to take a “human-centred approach”, ensuring writers are supported and cared for during the process, and that it has “initiated that process in this case”. It promised to share updates on its website as matters unfold.

The prize also pointed to the way it works: it honours stories that have already been published elsewhere, which it described as a “bond of trust” with the magazines and journals that publish the original work. The Bookseller and NewZimbabwe both reported the statement.

It is important to be clear about where things stand. The Atlantic piece raises a suggestion; the Caine Prize has not announced any finding, and nothing in the coverage reviewed by AllInZimbabwe shows that Kundizeza has been found to have done anything wrong. None of that coverage carried a response from him to the allegation. After winning, he told NewZimbabwe the award meant a great deal and gave him more belief that he could keep making room for a writing life.

AllInZimbabwe will report the outcome of the review when the Caine Prize publishes it.

Sources: Caine Prize statement; NewZimbabwe; The Bookseller.

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ENTERTAINMENT

Zimbabwe’s Blessing Musariri is the only African finalist for the $50,000 Kirkus Prize

Her young-adult novel When It’s Your Turn for Midnight, set in Mutare, is one of 18 books shortlisted for the American literary award, with winners announced on 7 October.

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Zimbabwean author Blessing Musariri has been named a finalist for the 2026 Kirkus Prize, one of the richest literary awards in the United States, for her young-adult novel When It’s Your Turn for Midnight.

Kirkus Reviews announced 18 finalists across three categories: fiction, nonfiction and young readers’ literature. Musariri’s book is one of two shortlisted in the young-adult strand of the young readers’ category, alongside Anger Is Only a Shadow by Elizabeth Acevedo, a two-time previous finalist. Brittle Paper, which tracks African writing, noted that Musariri is the only African author on this year’s list.

Each category winner receives $50,000. To be eligible, a book must first have earned a starred review from Kirkus, whose verdicts carry weight with publishers and booksellers. Kirkus’s own review described the novel as a story grounded in emotional truths and praised its handling of the silences between generations.

The novel follows 15-year-old Chianti, whose life is upended when her mother reveals in anger that the man she calls Baba is not her biological father. She retreats to her grandmother’s home in Mutare, where she is drawn into the world of four elderly women who fought together in the liberation war and now run a second-hand clothing business that Chianti helps take onto TikTok. Old photographs and a notebook gradually surface a wartime past the women would rather not discuss.

The book was published in the United Kingdom by Bloomsbury’s Zephyr imprint in 2024 and in the United States by Lerner Publishing’s Carolrhoda Lab imprint in April this year, according to Brittle Paper.

The other young readers’ finalists are picture books Navigating Night and Electric Birds of Pothakudi, and middle-grade titles The Lovely Dark by Matthew Fox and This Is a Door by Daniel Nayeri. The fiction shortlist includes Colson Whitehead and Douglas Stuart.

Winners will be announced on 7 October at a ceremony in New York, which Kirkus says will be streamed live on its YouTube channel.

Sources: Kirkus Reviews; Brittle Paper; NewZimbabwe.

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DIASPORA

US court orders Lion King composer to pay Zimbabwean comedian Learnmore Jonasi’s legal costs

A California federal court has ordered composer Lebohang “Lebo M” Morake to pay US$39,560 towards the legal fees of Zimbabwean comedian Learnmore Jonasi, after Morake withdrew a defamation claim over a joke about a Lion King chant.

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A United States federal court has ordered South African composer Lebohang “Lebo M” Morake to pay US$39,560 towards the legal costs of Zimbabwean comedian Learnmore Jonasi, closing the latest chapter in a dispute that began with a joke about The Lion King.

The order was made on 29 August under California’s anti-SLAPP statute, a law designed to protect people from lawsuits brought to silence public comment. NewZimbabwe.com reported that the court found Jonasi, born Learnmore Mwanyenyeka, qualified as the prevailing party after Morake stepped back from his original claims. TimesLive reported that the court dismissed the lawsuit on 10 July and that the principal matter was withdrawn without prejudice.

The row started with a podcast appearance in which Jonasi offered a comic translation of “Nants’ ingonyama bagithi Baba”, the opening chant of “Circle of Life”. Rather than the traditional Zulu praise reading, he rendered it roughly as “look, there’s a lion”. Morake, who worked on the music associated with the Disney film, sued in the US District Court for the Central District of California, alleging defamation and arguing the comedian had trivialised a composition of cultural significance. TimesLive put the value of that claim at US$27 million.

According to NewZimbabwe.com, the court set Jonasi’s reasonable attorneys’ fees at US$39,560 but refused his request for an upward multiplier that would have increased the award. The same report said Jonasi paid roughly US$5,350 out of his own pocket, with his lawyers heavily discounting their fees while arguing his First Amendment free-speech rights. The court was explicit that it was not ruling on which translation of the Zulu phrase is correct, only on who had prevailed for the purposes of the anti-SLAPP law.

Morake has not accepted the outcome as final. In a statement issued through his legal team and shared with TshisaLIVE, he said the case had “never been about winning a war of personalities” but about “the protection of heritage, legacy, cultural dignity”. His lawyers said they were studying the ruling and evaluating the options open to them.

For Jonasi, who built his following on the international comedy circuit, the ruling removes a financial threat that had hung over him for much of the year.

Sources: NewZimbabwe.com; TimesLive (TshisaLIVE); The Citizen.

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